Tag: film
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This morning I strolled into the darkroom fully planning to mix a fresh batch of color film chemistry to develop some film tomorrow. I was certain I had at least one fresh pack. I’m all out! And, most places I purchase chemistry is out of stock. I guess I’ll use tomorrow to make more new…
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Craig Mod on shooting film
Craig Mod in Ridgeline Transmission 189 Tōkaidō on Film — People: One of my many todos post-walk has been to dig through the film I shot while walking the Tōkaidō in May. Finally getting to that. To keep things sane, I’ll be batching these photo posts. To start: Here some portraits I took along the…
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I spent January 1 in the darkroom making prints from a 35mm roll of Tri-X that I finished over the last few months.
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Developed two rolls of Tri-X last night. One I have no idea where it came from – and it looks like the camera had a light leak (selective memory?). But the other looks terrific. I can’t wait to spend some time in the darkroom.
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Video: Sandbridge Beach Houses
Spend 30-odd minutes with me going through each photo from the Sandbridge Beach House series. This was fun to do, I might do more of them. Also available on Instagram. If you like it, jump over to YouTube and hit the like and subscribe button.
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Datafilm – Log your film photo EXIF data
Today I stumbled across Datafilm, a free iOS app for film photographers to log their photo EXIF data on the go, via Japan Camera Hunter’s blog. The app is being made by Vincent Tantardini. Datafilm describes itself this way: Datafilm is the note app designed for film photographers, focused on simplicity, ease of use and…
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What I saw somewhat recently #81: June 17, 2021
Saved this garter from the lawn mower A busy spring is coming to a close. A pool, garden beds, lawn care, work, side work, art, the gallery, photography and so much more going on all at once. But somehow it felt very balanced. I’m happy about that. Scratching every itch. This week I have a…
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Jerome Carter on the price of film
Jerome Carter: Film is expensive, and I readily admit that it is a self-indulgent exploration for no purpose other than the sheer existential joy it brings. That sounds about right.
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Audio: Mistakes have been made (special episode of the podcast)
Recorded January 27, 2021. In this special episode of Photowalking with Colin I cover some recent mistakes I’ve made with film and in the darkroom. It seems we (the collective we) mainly share our victories online. I wanted to be sure to share the losses as well. Auto generated transcript Welcome to another edition of…
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Music at Lucky Hare Brewing – March 2020
Music at Lucky Hare Brewing – March 2020 Just prior to lockdown, we were able to listen to this lovely chap play some music at Lucky Hare Brewing in upstate New York. I rescanned this 35mm negative to get a better quality version than my first scan. Shot on Kodak Ultramax 400 using the Canon…
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Jack Baty’s bad film experience
Jack Baty, 11 years ago: I ran out of film while on a deserted island. I set the ISO incorrectly on my OM-1, overexposing the roll by 2 stops. I opened the bottom of the Leica M7 before rewinding the roll. I had only a 28mm prime lens with me when what I needed was…
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The story of the Studebaker darkroom print
If you follow me on Instagram or Twitter you may have seen that I was in the darkroom this weekend. In March 2020, I purchased this Ansco Speedex from a local hip shop On&On. Around that same time a family member gifted me some expired Kodak Tri-X that he’s had frozen since 1982. A few…
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Jack Baty on being burnt out of film photography
Jack Baty: The trouble, I’m finding, is that I don’t really like the results I’m getting. I’ve shot maybe 20 rolls of film this year and a couple dozen large format negatives. Not a ton, but I’ve gone through them and there are only a handful that I really like, and most of those I…
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Om Malik: Why bother with film?
Om: One aspect of film that I have personally found appealing is the restrictions it imposes. Film photography is about constraints. It limits the frames at your disposal. It limits the capability of the sensor (aka the film.) And in most cases, it limits the choice of lens and equipment. Such constraints tend to ultimately…
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Annihilation – Scranton, July 2020
Shot on 35mm Kodak Color 400 with Olympus Stylus Annihilation – Scranton, July 2020 This ivy is going to find its way in.
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Gorgeous pinhole photograph by Michael McNeil in Ireland
Michael McNeil: It’s the first time I’ve used this film, so it was all a bit of an experiment. As usual, I did no research before I went out. I appreciate how he detailed the struggle and sort of out-of-control feel that pinhole photography can be. Regardless, stunning result.
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Architectural decay – July & September 2020
Architectural decay – July & September 2020 Photos of dilapidated buildings, like these two, can be stared at for hours figuring out their histories. What vehicle had that oil leak? Why the plywood? Does that light work? Isn’t anyone missing that dumpster? Both photos were shot on the Olympus Stylus 35mm point-and-shoot on Kodak Color…
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Camerajunky on being crazy enough to shoot film
Camerajunky (whose real name I cannot find, so perhaps this is likely on purpose): Of course there is also the fact that to get from the decisive moment to a print or even to a digital file, there is a lot of work involved. Prepare, shoot, make notes, develop,make notes again, scan, process digitally, catalog,…
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What I saw somewhat recently #66: August 18, 2020
Great list this week. See other lists. I wish somehow these lists were exhaustive and complete but they simply aren’t. There are so many great things I stumble across day-to-day and file away to get to. And I get to some of them. And I remember some of them. And these are those items.
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Nick Clayton on his pandemic photography experience
Nick Clayton, in a beautifully written and photographed post on Casual Photophile: Walking with a camera is a moving meditation in which paramount importance is placed on being present in your surroundings. Each camera setup comes with a different way of seeing, as it were. And: I won’t lie, early on in the shutdown, with…
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Marcus Peddle on using film or digital
Marcus Peddle, remarking on making Jim Grey’s aforementioned list of film photography blogs: I’m honoured, but slightly embarrassed because most of my photography these days is digital. Still, a photo is a photo, right? I hope you won’t be disappointed by the paucity of film photographs if you came to this website by following the…
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A list of film photography blogs by Jim Grey
Jim Grey: It’s time for my annual list of film photography blogs! A great joy of film photography is the community of people who enjoy everything about it: the gear, the films, getting out and shooting, and looking at the resulting photographs. Lots of us share our adventures on our blogs. I am so very…
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Exposed root – April 2020
Exposed root – April 2020 If you walk through the same forest for months and months – you begin to notice the details you’d normally miss. Also on Flickr, Instagram.
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35mm film in a Medium Format camera
Ansco Rediflex, expired 35mm Fujicolor Superia 400 35mm film in a Medium Format camera From the same roll as my 2020 avatar are these select exposures of 35mm film hacked into a medium format Ansco Rediflex. What you’re looking at isn’t normal. The Ansco Rediflex is a medium format camera which, when invented in the…
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My 2020 avatar
Shot on 35mm film retro fitted into an Ansco Rediflex Quarantine has me trying all sorts of experiments. One of which is retro fitting 35mm film into an old Ansco Rediflex medium format camera. It produces some interesting results (I’ll post a few in the coming days). But I’ve wanted my 2020 avatar to be…
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Truck @ 40mph – March 2020
Konica Autoreflex T, expired Kodak Pan X film Truck @ 40mph – March 2020 Like all of my photos, there is a story behind this one. My boss gave me a camera as a gift. And I shot some really old expired film through it. This was one of my favorites from the roll. More…
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Studebaker – March 2020
Studebaker – March 2020 A few more medium format film exposures. These were also taken with the Ansco Speedex. This old Studebaker sits a stone’s throw away from a river that runs directly in front of our place. From the stories I’ve gathered it was sitting across the street for a few decades before being…
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Why I’m shooting with film
Nearly a decade ago Eliza and I began to make our own wine and beer. We started out making quick batches in buckets, carboys, or other small containers. It allowed us to get more familiar with the process of fermenting fruit or barley into one of our favorite drinks. Pressing grapes, 2013 Eventually we graduated…
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Experiments in light metering
Update April 27, 2020 – I’ve now published a podcast episode related to these photos. As a follow-up to my previous post regarding my journey to-date in film photography – here is an example of how I’ve approached learning the light metering of a scene. Here are several exposures, taken fairly close in time to…
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Rain over the Virginia Hills – 35mm – February 2020
Eliza and I pulled off the road to get this shot while we were driving north through a gorgeous area of Virginia a few weeks ago.
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One-Picture-Promise
Rick Sammon, in a piece for Peta Pixel on Seeing, describes the One-Picture-Promise: When you are in a situation, imagine you only have one frame remaining on your memory card, and you can take only one picture. If you think like this, I make you this promise: You will have a more creative photograph. What’s…
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Nick Carver on his photographs
Nick Carver, in an interview by Cody Schultz in early 2018: Certain artworks I’ve seen throughout my life have had a powerful impact on me. When I look at a painting by Kenton Nelson or a sculpture by Michael Heizer, I feel something deep in my psyche that I can’t put words to. I can’t…
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The Dagobah cave in realtime
Todd Vaziri: Ever since I was a kid, I wondered what the scene might have looked like in real time, and how the scene, without slow-motion, would play differently to the audience. So I created it. I don’t write enough about Star Wars on my blog. For that I’m sorry. But this was too fun…