This is a special episode. This is the first time I set out with a specific objective in mind (rather than just exploring or wandering) and I accomplished it!
The animal in the first image is, I’ve now learned more accurately, an American Mink (not a Fisher or Skink as I thought previously). It is in the weasel family and I can’t believe I found him.
Please enjoy this episode. I know I enjoyed recording it.
Edit: In the audio I misidentify this animal several times. I use mink, weasel, skink (which is a lizard) and fisher! Nearly in the same breath! Sorry about that. I had to get back and carefully look through the photos and compare them with what I’ve found online to figure out this was a mink after all.
These images, and this audio, are from the very first episode of Photowalking with Colin. At the time of the recording I was experimenting with a new app, a setup, a process. I had never published the images! So I thought I’d get around to that today.
If you haven’t already listened to the audio, you’ll hear that I stop and ask a nearby neighbor, who I now know as Walt, for access to his property to shoot a few photos. The story of his property, being somewhere that people used to pay $1 a car to park and swim some 60 or so years ago, was unexpected.
I think it was this experience, over any other, that led me to continue and create the podcast. I’m glad I did because I’m really enjoying it.
On my way to the pub with a few friends I stopped by a nearby dam to shoot photos. I was surprised that just above the dam was a small marshy area filled with ducks, geese, beavers and birds. I managed to fire off just a few photos before the light faded.
There is one photo of Keenlake Campground’s adorable tunnel that I quickly stopped by to shoot as the sun was setting through it.
The first few episodes of my new photography podcast have been a learning experience for me. How should I record, edit, distribute these episodes? With each episode I’ve been able to improve that process and make some decisions along the way.
While I’m hoping to continue to improve the audio quality, the speed at which I can create these episodes, and how the audience consumes both the audio and the photos I make during each episode – I think I’ve settled in on how to publish these episodes. So today, I’ve made those adjustments to my site.
I went back through each episode and added the audio files to each post and moved them into their own category. This way people can listen to the audio right on the page with the photos. I have no doubt that this will render my Anchor* analytics useless but I don’t care. I’d much prefer people have a better listening experience.
So, in addition to subscribing to the podcast on just about any service or app of your choice, you can also just subscribe to this blog and be delivered each episode with the photos into your RSS reader. Or, come directly to each page as I link to them from Twitter or something and listen to the episode and view the photos at the same time.
You can listen behind the scenes as I make these photographs in an episode of Photowalking with Colin titled Culm dunes.
I’d been wanting to use the Monochrome picture style in my Canon camera but hadn’t found the right subject. Until this day, when the sun was still relatively high in the sky, and I remembered how Nick Carver took advantage of these less than stellar photographic conditions to make black and white photos in the desert. I don’t have sand dunes or cacti available to me so I thought of using these anthracite culm piles as my sand dunes.
I am happy with how the first photograph came out. But I’d like another crack at these, and a few different compositions, with a lens hood.
Certain artworks I’ve seen throughout my life have had a powerful impact on me. When I look at a painting by Kenton Nelson or a sculpture by Michael Heizer, I feel something deep in my psyche that I can’t put words to. I can’t describe the feeling, but I know I love the effect it has on me. I hope that my photography can have that effect on other people.
Because Nick’s hobby is large format film landscape photography, his approach to exposing film is far different than my approach with digital photography. Or, at least how my approach used to be.
For years I’ve followed digital and even mobile photographers that recommend shooting hundreds of photographs in the hopes of capturing a few you like. With large format film you really can’t do that. Not only isn’t there enough time in a day to expose hundreds of slides of film, but also it would cost you a fortune.
This forces the photographer to slow down, strongly consider their composition, be certain of their light metering to determine the camera’s exposure settings, and be more mindful of each and every photo. I’ve been trying lately to find the balance between those two worlds. How can I be more purposeful in my digital exposures – yet still leverage the ease and inexpensive use of the tools I have on hand? I’m still trying to find that balance. But it is because of Nick Carver that I am trying to find it.
This image is from my Flying a drone at sunset episode of Photowalking with Colin. You can listen to that episode above to get the whole story. Be sure to subscribe to the blog or the podcast to get future episodes delivered right to you.