Om Malik, on his photo journey
I find using a 24mm wide angle lens, a 90 mm medium telephoto, or a 280 mm tele lens akin to using saffron in my rice or black salt in my lentils – flavors that are beautiful in their restraint.
I like reading his perspective on this. Less is definitely more. And constraints breed creativity. It is something I very much subscribe to myself with many things in life. And I’m drawn to some things that focused on constraints such as early Instagram or The White Stripes.
With my own photography, however, I view each tool as a different camera for a different project. I have a few select lenses for my DSLR, I use my Pixel 2 XL profusely, and I also have a DJI Phantom 4 Pro to be my eye in the sky. Some photos I’d never be able to capture using a single lens.
Along the way, whenever I hit a wall, as I do with all my questions, I turned to YouTube for the answers. It is a marvelous school, with easy-to-find tips and tricks galore.
I have been experimenting with editing my older photos with my new workflow and making interpretations of those archival images. But the biggest realization this has produced is that, unless the photos start off on the right foot inside the camera, it is difficult to reach a rewarding final interpretation.
I do this too. It is a fun exercise to see how you’d approach the editing of a photograph long after you’ve taken it. Like Om, I find that I would have shot the photo entirely differently just a few months or a year after I’ve taken it. Just like my palette has changed over the years (first, sweet wine then dry, first lighter beers than more bitter ones, first smokey scotches and now rye bourbons) so has my eye. And that is ok. The older photos aren’t worse or better – they were taken by a different person than I am today.
You can see Om’s photos on his photolog.