This episode is packed with nostalgia for me – even though it was only 3 months ago. It was my first day shooting film. I was using expired film so that I didn’t mind making mistakes. And I made a ton of them on this day.
I also developed this film myself. It was my very first roll of color film that I had developed on my own at home. In fact, up until this writing I have never sent any film out to be processed. I’ve done it all myself. At least so far. Once I start shooting more expensive films (which I’ve just received this week as of his writing) I may change my tune.
I’m satisfied with the photos. Knowing what I know today, I realize the film was definitely bad. The fact that it exposed at all is a miracle really. If these photos were taken with new film they would have been poppin. The silo image was metered properly, but I could have done a bit better on that one with the exposure. But I had a lot to learn at this point.
So many of the topics I covered in the episode show how new I was to this whole film photography journey. I still am. I’m looking forward to upcoming episodes to relive the moments I learned over the last 3 months of shooting only film. And I’m looking forward to looking back at these episodes in the years to come.
Here are a few photos taken with the point-and-shoot Kodak Snappy EL also using expired film from this same day.
The Snappy EL that I have is junk and is going in the garbage. I had to force it to forward the film by squeezing the case and that made it skip frames and be wholly unreliable.
Here are several exposures, taken fairly close in time to one another, using several different camera settings (and in the case of a few, a different lens) on the Canon AE-1 Program and an expired roll of Kodak Color Gold 400.
As you can see, the last image was taken after a fair amount of time had past and so likely could be excluded from this test. However, I’ve included it to show how metering for shadows really can blow out the hightlights on such a well-lit subject.
I’ve taken tons of photos for the express purpose of learning how they will come out first hand. I use Simplenote to write down all of my settings on the camera and a short description of the photo so that I can remember (because, unlike digital no EXIF information travels with the negative or digital file unless you write it yourself).
Nearly a decade ago Eliza and I began to make our own wine and beer. We started out making quick batches in buckets, carboys, or other small containers. It allowed us to get more familiar with the process of fermenting fruit or barley into one of our favorite drinks.
Eventually we graduated to making a more serious batch of wine that started as grapes still on the vine that were shipped by boat from Chile and ending up as 80 gallons of a Cabernet Sauvignon / Carménère blend that – to this day – is the best wine we’ve ever made or had.
When we began to learn this process it gave us a deeper appreciation for other wines and beers we had. We started to understand what each ingredient, what each stage, the temperature, and many other factors played into the end result. We also honed our tastes in so far as to know, without ever having a sip, what beverages we liked and didn’t like.
The process of learning to make wine feels very similar to the process of learning film photography.
I’ve been shooting digital images for many years. I’ve always had an interest in making photographs as memories of our experiences, as well as an outlet for my creativity. But it wasn’t until the iPhone debuted that I began to explore photography as an art medium. Or as a documentary medium for that matter. With the iPhone I would have a camera with me everywhere I went and I ended up taking tons of photographs with my mobile phone for the next decade. Which led to me taking photographs with other digital gadgets like GoPros and drones.
A few years ago though I began to study photography. Looking up its history, looking at examples from the last hundred or so years, and trying to learn different techniques. Prior to this time period I only had very surface knowledge of the photographic process – digital or film. I knew the basics of composition and how an image sensor worked. Apart from that I had no idea.
For whatever reason, the desire to try film – like the desire to make our own wine – became stronger and stronger. I started to follow film photographers on Instagram, Twitter, and YouTube. People like Dan Rubin, Bijan Sabet and a few others were nearly daily reminders that I should give it a try. Which ate at me for over a year. Then, about 6 months ago or so, I stumbled across Nick Carver on YouTube. What he was doing with film photography was much different than Dan or Bijan – he was trying to create the highest quality digital file and print he could from a scene. This interested me greatly.
My current digital cameras are already over 10 years old (not counting my current iPhone 11 Pro Max). So my ability to create high quality images on digital is non-existent. Looking at film it appeared to me (knowing almost nothing) that I’d be able to get a much higher quality result without the budget needs of upgrading my digital cameras. It turns out I was only part right on this.
So, as you may have listened to in this episode of my podcast, I decided to pick up a few inexpensive point-and-shoot cameras to get my journey started in film. That was four months ago. I figured I’d buy a camera or two, fire a few rolls, see what the results were and learn. Little did I know the rabbit hole or the ride I’d be on over the next several months – and likely for the rest of my life.
Since then I’ve purchased, or been gifted, well over a dozen cameras ranging from point-and-shoot 35mm film cameras to 100-year old medium format cameras that no longer have film compatible with them. I’ve read a few books on the history of photography as well as the complete photographic development process. I’ve shot dozens of rolls of film and developed them on my own, either in my kitchen sink or in my bathroom tub. In fact, I never sent away a single roll to be processed by someone else. I’ve even modified existing film stock to fit into that 100-year old camera.
I went a little off the deep end in an effort to give myself a crash course in film photography.
I still have a long way to go and a lot more to learn. I still haven’t created a high quality result that I’d be happy with for, say, a fine art print like Carver’s work. But I haven’t tried yet either. Most of the film I’ve shot, with the exception of 3 brand-new rolls of inexpensive Kodak Color Gold 400 (or Ultra Max) that I purchased in an Atlanta camera shop, has been film that is well past its expiration date. In fact, some of it didn’t work at all. Also, the cameras I’ve been using all have their little quirks. One doesn’t have a battery (so I have to meter for light using my iPhone or just guess). It also has moisture in the viewfinder so I can’t focus the image so again I’m left guessing. And the rest has been downright bad film.
Why go through all of this? Because it has cost me almost no money so far. All in I’ve spent less than $500 to shoot film for 4 months on many different setups with different speed films and process them all on my own. I consider this a very inexpensive education so far.
But I’m about to level up. I’m ready to move onto the next phase in my education and that is to use the skills I’ve learned so far to create high quality images using both 35mm and medium format film. I need to buy a bunch of brand-new film, which I’ll likely ruin or mess up in some way, and I still need to track down the medium format camera (maybe a Rolleiflex?) that I want at a price I can afford. But all that I’ve learned these last months will hopefully help to cut down on the mistakes I’m about to make. I’m on a budget after all!
I’ll check back in here in a few months time to see if, like the wine Eliza and I made, I’m making photographs that are now my favorite I’ve ever taken.
I’ll be publishing a lot more photos here on my site that I’ve taken over the last few months as well.